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The Horseshoe and Transverse Arches

Summarised extracts from a full article, see resources below, where end notes, references and bibliography are given.

by: Foundation for Science Technology and Civilisation. Info@fstc.co.uk

These arches are found in many mosques throughout the Muslim world. The horseshoe arch is mainly decoration. Whilst the transverse arch has a structural function. They are also a common feature in numerous buildings in Europe. Where did the come from and how? This short section is not a self standing article. It is only an extract from the full article in the pdf file, see below, where the full story is told with referecnes and end notes.

The Horseshoe Arch

The first Muslim adaptation and modification of the design of the arch occurred in the invention of the horseshoe type. This was first employed in the Umayyads Great Mosque of Damascus (706-715, figure 1) (Briggs, 1924). There is a suggestion that the horseshoe form was derived from the symbolic use of primitive ages where it represented a superstitious emblem for many societies (Jairazbhoy, 1973).

The use of the horseshoe as a protector against the evil eye in North Africa is still maintained to the present day. They are often mounted onto front of doors of houses. However, this conflicts with orthodox islamic beliefs.

Similar symbolic use is manifest in India and many parts of the world.

A symbol of sainthood and holiness, the horseshoe arch provided a better advantage allowing more height then the classical (semi-circular) arch as well as better aesthetic and decorative use.

Muslims used this curve form to develop their famous ultra-semicircular arch around which the whole of Muslim architecture evolved(endnote 1). The ultra-semicircular arch is an improved version of the Roman semicircular arch in that it is much more circular in shape.

The introduction of the horseshoe into Cordoba (Great Mosque 756-796, figure 2) set the path for its transmission to Europe through the northern Christian regions of Andalusia. This process started with the Mozarabs
(Christian Spanish living in Andalusia) moving between Andalusia and Northern Christian parts of Spain. Among these were artists, scholars and builders and architects who brought with them Muslim methods of building, forms and motifs including the horseshoe arch (Trend, 1931).

The result was the appearance, in northern Spanish regions, of a large number of religious edifices in a Moorish style with horseshoe arches. For instance, St Miguel de Escalada, near Leon, was built by monks arriving from Cordoba in 913.

Among the features it had were the melon shaped domes and the horseshoe arches (Dodds, 1994).

The horseshoe arch had also been illustrated by Mozarabs in their illuminated manuscripts such as the one of Beatus of Lebana. Historic sources indicate that the illuminator of this manuscript, named Magins, worked at the monastery of St Miguel de Esacalda.

The church of St Cebrian de Mazote, also founded by Mozarab Cordoban monks in 921, reveals similar planning, structural and decorative elements of that of St Miguel de Escalada with a basilica plan, horseshoe arches, tripartite choir and horseshoe shaped apses (Dodds, 1994).


The Transverse Arch

Further development came in the 8th century when Muslims used, for the first time, the transverse arch in the Palace of Ukhaidir - Iraq (720-800) setting precedent for its universal use.

After the adoption of the pier as a replacement of the classical column, Europe embraced this arch in the 11th century. Here, the arch was thrown from each pier of the arcade to the wall of the aisle (figure 3).

There is no clear evidence on how and when this arch was transmitted to Europe where it is considered to be the first step revolutionising the way churches were built.

The use of the transverse arch over the nave not only provided greater safety and durability but also gave the final shape of the nave especially in terms of height and roof.

This feature represents a fundamental structural step in the process of development of Gothic. It led to the adoption of ribbed vaulting which progressively enabled the vaulting of the nave and evolving the compound.

End notes:

1. The Romans were the first to use it but Muslims improved its form.

by: FSTC Limited, Thu 17 January, 2002


Related Articles:
The Arch That Never Sleeps by: FSTC Limited

Rabah Saoud

Perhaps no culture mastered the design and use of the arch more than the Muslims. Inheriting earlier arch forms from the Greeks and the Romans, Muslims developed a variety of new shapes including the horseshoe, multi-foil, pointed and the ogee arches. The passion they had for this motif is due to the regularly mystical/symbolic meanings associated with it, as well as its functional advantages. Their architecture uses it as a major structural and decorative feature. The arch soon spread to all cultures progressively becoming a global architectural motif. This article explores the significance of the arch, Muslims' understanding of it, and its transfer to Europe.

The Pointed Arch by: FSTC Limited
The first appearance of the pointed arch in the Muslim World was traced to the Al-Aqsa Mosque, but the Palace of Ukhaidir - Iraq remains the first building where the pointed arch was used constructively and systematically.

Resources:
FULL ARTICLE - The Arch that never sleeps, by: FSTC Limited
Download the full version of this publication in PDF Format. The document includes all references and figures.
PUBLICATION NUMBER: 4031
COPYRIGHT: © FSTC Limited 2001, 2002

References:
The Arch that never sleeps! by: FSTC Limited
Extracts from the full article produced by FSTC Limited.
Download the above PDF Resource to view references.


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